|Q. How would you describe your artwork/style?
A. Multi-disciplinary and maverick. My current studio practice encompasses drawing, installation, soft-sculpture, and mixed-media assemblage.
Q. What medium do you work in?
A. Mixed-media including: felt, paper, pom-poms, wood, paint, graphite, and sharpies. At present, I am very involved with working with color, pattern, and texture and am involved with creating my own form of fiber-art from cut-paper and cut-felt which I fashion into elongated dresses, wall hangings, and ‘mandalas’.
Q. What is your process like?
A. Either I start from an idea which dictates the materials and methods used; or, I start with a color or specific material which dictates the form and idea. Usually, I like to work on developing a series of works, which can then become a point-of-departure for works in other media. Hence, a series of drawings of biomorphic cartoons can lead to creating a series of mixed-media assemblages working with a vocabulary of shapes derived from the drawings, which can then evolve into a cut-paper installation. In the end, it’s all inter-related.
Q. What inspires you?
A. Inspiration often comes in the guise of a delightful surprise. I am inspired and influenced by nature as much as I am by fashion, film, and music. As a 21st-century female artist, I am indebted to pioneering 20th-century artists like the late, great, Louise Bourgeoise, and sculptor Louise Nevelson, both of whom had the courage, willpower, and persistence of vision needed to break new ground and create authentic, brave, innovative work amidst a male-dominated art-world.
Q. How do you think you’ve changed or developed as an artist?
A. With age and experience, there comes a sense of urgency about cutting-to-the-quick and getting at the essence of things. I am much more results-oriented now at age 60 than I was at age 30, as I simply do not have the luxury of time to devote to endless experimentation. I now create art from a place of focused intention to a far greater extent than ever before, utilizing the most direct and economical materials and methods available to create art invested with a sense of personal authenticity.
Q. Can you tell me about your participation in the ‘Chroma is Key’ exhibition at The Schelfhaudt Gallery at University of Bridgeport? What will you have on view at the ‘Forever Young’ exhibition?
A. When Gallery Director Peter Konsterlie told me I’d be exhibiting with a group of artists from Brooklyn including Mark Sorgatz, Chris Moss, Cheres Espinosa, and an artist from New Haven;- Mark Williams; who is a ‘cave-artist’; for ‘Chroma is Key’ , I was very excited! The Schelfhaudt Gallery is a beautiful space and I was thrilled to have the opportunity to showcase a growing body of cut-paper sculpture and mixed-media work. Exhibiting in a university setting affords an artist an opportunity to have their work viewed in an educational context. I was flattered to discover that one of Professor Konsterlie’s art history students had written a paper about my work , from a ‘Pop’ Art perspective’ comparing my work to the Japanese artist, Yayoi Kusama, who is one of my art-heroes!
The upcoming ‘Forever Young’ exhibition at City Lights will feature my ‘Power Flower’ Mandala # I; which is one of a current series of cut-felt and pom-pom ‘mandalas’ which have a ‘in-your-face’, funny yet beautiful presence which is ageless, if not ‘Forever Young’.